![]() “MODERN JAM” repurposes a beat initially used for “I Am A God.” Meanwhile, Scott directly calls back to Ye’s flow and drum patterns from “Black Skinhead” on “CIRCUS MAXIMUS.” Still, the numerous reference points to Kanye West, specifically Yeezus, an album Travis Scott heavily contributed to, blurs the line between paying homage, calling back to the early phases of his career, and recycling ideas. Travis Scott intended Utopia to serve as a forward-thinking body of work after a five-year wait. Read More: The 7 Best Features On Travis Scott’s “Utopia,” Ranked Still, the song itself isn’t as memorable as the credits would otherwise suggest. His verse on “FE!N” provides us with a glimpse into his next vocal transformation in his post- Whole Lotta Red era. However, his verse doesn’t necessarily add anything exciting to “TOPIA TWINS.” The same could be said for Playboi Carti. 21 Savage stands as the most improved rapper to emerge out of the “mumble rap” era. Even with a stacked lineup of artists, it feels as though Scott simply allowed some of them to appear on the tracklist to boost streams rather than helping him realize his own vision. Scott’s own efforts outside of production fail to yield undeniable results. At the same time, newcomers like Rob49 and Teezo Touchdown highlight their talents on “TOPIA TWINS” and “THANK GOD,” respectively. Across Utopia, artists like Drake and The Weeknd sprinkle their magic into the equation. This method captures the essence of the project – the collaborators do much of the heavy lifting. Part of the allure allowed fans to uncover different voices across the hour-plus run-time. It’s particularly disappointing for an artist that set out on such an aspirational mission.Įmploying a similar strategy to Astroworld, the 19-song tracklist initially included several hidden features. ![]() Without watching the accompanying film Circus Maximus, it’s a conceptually aimless album. On Utopia, Travis Scott takes us on a journey without a set location. it's so obsessively zeitgeisty that it feels divorced from the nature of what i think criticism is supposed to be.Per the Oxford Dictionary, utopia is “an imagined or hypothetical place, system, or state of existence in which everything is perfect.” Where projects like Rodeo and Astroworld showcased the imaginative universe that Scott fleshed out through sonic structures, hypnotic melodies, and playful wordplay, Utopia fails to establish the same caliber of execution. there's just a trend ive been seeing in culture writing where the goal seems to be things that they felt "captured a moment" and not really the things they think are the best on the merits of the art itself. carti and uzi are two of the more interesting vocalists from the last 5 years as far as the vocal melodies theyre willing to try and the beats theyre willing to take chances on so for the songs they picked to just be their two biggest pop breakthroughs feels so lame to me. they just go with the first single under a major label and the one that has the most plays on spotify. I love magnolia and xo tour life too, but i thought they'd try to be different and just go with broke boi for carti seeing as that was his true first breakout song, but they couldn't even do that. ![]()
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